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e-book If It Aint Baroque: More Music History As It Ought To Be Taught

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Give attention to the way it sings and how the other instruments work in tandem with its unique sound. Corelli created one of the most highly esteemed variations of the piece. You are more than welcome to turn it off at 10 minutes. Those of you who still doubt the passion of the music of the Baroque era, get ready for the final blow. Opera is another gift of the Baroque era. It combines voice, orchestra, poetry, theater, costume, and dance. This aria a solo operatic performance is set, unsurprisingly, in the midst of tragedy. Dido, distraught after being abandoned by Aeneas, pours out her heart in this mournful musical masterpiece.

It is sorrow transformed into sound. These also happen to be her final words.

9-10 a.m.: Music of the Middle Ages (Disc 1)

Dido takes her own life and the opera comes to a close. When I am laid, am laid in earth, May my wrongs create No trouble, no trouble in thy breast; Remember me, remember me, but ah! Remember me, but ah! Did you know that there are hot-button debates within the Baroque community?

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You think talking politics in America will get you in trouble? Just try to bring up this Adagio to a Telemann fan. Some remnants were recovered, among them, thankfully, portions of this Adagio. Or was it? There is no doubt that the rest was reconstructed by an Albinoni scholar named Remo Giazotto.

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There is doubt, however, as to what, if any, portion of it came from Albinoni. What we do know is that if you type Albinoni into YouTube or Google, this will pop up. And we also know it is breathtaking. We are eager to know whether or not you listened to all of the pieces and what your impressions were on them. Have these works changed your thoughts or feelings about this era? Or were you already an admirer of it? Please share your thoughts with us in the comments section below. As always, you can contact us here.

If so, it will come to you as no surprise that movies will be a regular part of our blog. This raises a question, a seemingly rhetorical one, but an important one nonetheless.


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Is cinema truly an art? We may be speaking for ourselves here, but there is something peculiar about a movie that gives us just a little hesitation about elevating it to the level of art. We could put forth a robust definition of art, examine the essential qualities of cinema, and analyze whether or not the two cohere. The two likely took the same amount of time — ten hours give or take.

Each were arguably a steep immersion in the arts, especially for a weekend! But most of us would be less likely to boast about the latter, lest we be accused of binge-watching our weekend away. What is it about movies that seems to incite a wee bit of guilt in us? We are not arguing that ten hours in front of the screen is necessarily a weekend well spent, but if you read a novella it seems like an accomplishment!

A movie, well, maybe you did something productive in between, right? If we do concede that cinema is an art, why does it evoke this feeling in us? A quick look at its form and content can shed some light into this.

Beautiful Baroque, Jazz-Up Your Jazz Learning and Chord Conditioning

The form itself is different than the other arts and contributes to its unique status amongst them. Watching a screen can lend itself to being a completely passive activity. Reading a book, even without full attention, requires a level of effort simply not required of a movie. With a movie, one can simply sit still, silently hypnotized by the moving sights and sounds. Much more can and has been said about the way our brain is rewired by the television. It is enough to say, however, that it takes a certain level of work to avoid the downward pull of the screen.

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Before we explore how we can approach a movie to avoid this tendency, it is worth noting another element, perhaps the key element, that has formed our negative perception of this form. The art industry, like most other industries, is increasingly in it for the bottom line. The movie industry is no different than any other. It is looking to sell. And the quick, the easy, the fast, the fun… sells.

The most lucrative thing any industry can do is give us content that satisfies these desires. True art challenges us. It takes work. It ought to force us to confront the true nature of the world and our true selves. However, this is difficult and we often avoid it. Though each of us does rise above our basest instincts with more or less frequency, every industry today thrives by calling us to succumb to the baser. As we indicated in our mission statement, it is rare that we are called today to be elevated by art. The movie industry has been given a tool, a very powerful one. A movie made by the wrong hands is like soma, a fleeting escape that leaves us looking for our next distraction.

Today, there is no doubt that true art is being filmed and that it is changing lives. However, the movie industry is first and foremost an entertainment industry. And the distinction between art and entertainment has become more and more blurred and difficult to denote. You bet. It is like having a delicious bowl of ice cream. Man cannot live on ice cream alone.

Ice cream can sustain us for a while, it does have some fat and protein, but the rest is all sugar. Our bodies will be deprived of that which we require to live. Analogously, if we cannot distinguish between what is substantial and what is sugar in the realm of the mind, we will be deprived of that which we require to live. This concern, naturally, is not unique to cinema, or even to the arts.

If Ain't Baroque - AbeBooks

We increasingly see in every realm of life the replacement of substance with colorful, fluffy, sugary nothingness. Our own perception of movies has changed, and hopefully matured a bit, over the years.

There are few movie nights nowadays! A combination of Rotten Tomatoes and word of mouth endorsements, sprinkled with a tantalizing preview, usually does the trick.

Interestingly, we have found that movie reviews are not a sufficient test of quality. Increasingly, these platforms readily endorse both propaganda an overt message guised with two dimensional characters and plot and art. Though we certainly watch movies for entertainment, we have been drawn more to the kind of movies that linger with us. Author David W. Barber presents stories of famous classic composers in an interesting, humorous way that makes reading these books really fun. I couldn't help but read some excerpts to my coworkers who also enjoyed them!

Bach, Beethoven, and the Boys provides an overview of classical music all the way from Gregorian chant yes, even that can be interesting! If It Ain't Baroque follows a slightly similar path, but offers more information that was not a part of the previous book, focusing on the different genres of classical music. When the Fat Lady Sings focuses onyou guessed itopera. A few weeks after, Franklin, with the help of her sisters Carolyn and Emma as well as Cissy Houston, laid down her vocal and piano.

She and Erma and Carolyn laid down the vocal harmonies, an arrangement from heaven.